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Our Proprietary Creative Process
Unique Concept
This Proprietary Creative Process, Developed by DīNämík over 15+ years of creative work, ten of which were focused on Systems-Building, with over 50,000 hours focused on the task of cataloguing language, mathematics, and symbolism, will enable anyone to write, scale ideas, and develop new concepts like no other defined system of its kind. The subject-matter can be anything and everything, just use this system, which we are providing for free, and you can create something in any kind of medium. First, we need to start with the conceiving of original material, which can be attributed to yourself. This is actually where most people fail. It is easy to take a trope or concept and work on it a little bit, and that has its place, but we want to be able to develop something new, even if we are working with recycled ideas. There isn't actually much to this, it just requires you to find something Discreet in its Relationship to some other concept.
Translate to Idea
Now comes the fun part, the translation from mere concept to a fully-fledged idea. So, the difference between the two being that the first can scale in many different directions, and the second is scaling in an intentional way to serve a purpose. So, this is the process of going from Potential to having Authority over the definitions used to refer to your subject. In fiction, this is something like the boundaries that define your fictional world-building. In non-fiction, this is more like defining the problem-solution matrix used to help your reader.
Cause of Subject
Now, you want to build on top of what already exists. Since you defined the configuration of your subject, now you want to build more subjects based-on the definitions that already exist. For people who already have an idea, this would likely be the hardest step for most. Any new Topics should be rooted in the framework of what already exists, and therefore should feel Definitive in terms of their inclusion as part of the existing structure. In fiction, this may be something like introducing new characters, who have some background which is already familiar to the audience. In non-fiction, it's like providing new examples or uses for the system promoted that the participant already understands.
Surround-Clash
This is the context in which the conflict exists. There is a Discreet kind of background that relates to any piece of content, whether fiction or non-fiction. The goal is maintain that Discretion as your writing gets more Aggressive, in order to keep the necessary equilibrium in the setting. In fiction, this manifests as something like not being too overt in making the plot-line progress, so that there remains a certain amount of mystery left to explore in the story. In non-fiction, this is something like not giving away too much of the context behind the problem that is being faced, in order to be able to hold the interest of the person who you believe will benefit from the extended details of your text.
Proposing Choice
Now we get to the part where your work needs to be a bit more developed for there to be context for this. If there is enough possible content for your subject, then you can easily proceed to the next steps. This is where you create a Center for your Authority to thrive. If you were able to achieve the goals of the previous step, you will be in a position where you created a feeling in the audience that there is more to the context behind the content such that there is an entire array of other characteristics associated with your subject. You will want to explore them here. In fiction, this may be something like sequels, or spin-off content, or in the current era, something like social media presence. In non-fiction, this can be a few things as well, but one common one is the community-aspect of people who all talk about your subject in great detail, as well as the related subjects built around it.
Center Geometry
This is where things can get really interesting, and one of the steps which DīNämík has found is less taken advantage of than it can be. In the previous step, we discuss the fact that there is context for subjects to be built around another subject. Here, we want to use the Centrality of our positioning to create a situation in which we become the Authorizing
force in our particular area of interest. This may manifest itself in a few different ways, but some are more common that others. In fiction, one area in which this is a common phenomena is that of subject-domination. When a subject is so associated with a particular piece of media, this produces an effect where the subject is almost synonymous with that particular piece of content. It is possible, although less common, usually due to one individual's contributions being foundational, where the person or their work becomes synonymous with breakthroughs in their particular subject in non-fiction.
Reciprocal Voice
To take advantage of the next steps, you need not take advantage of the totality of the opportunities available in the previous two, we are simply presenting our findings, in order to provide all the information we can about the process of developing your content. This step involves using the Messaging pathways you have available to speak directly, in an Aggressive manner to your audience about the subjects you want to have influence over. You may find yourself to be more successful if you are willing to be at least some degree of contentious. Your audience will respond. In fiction, an example of this would be using context-clues to foreshadow the events, often ones that are in coordination with other aspects of your story, in order to refer back to your key themes and assertions about life. In non-fiction, this can use the same strategy, by referring back to the same standards.
Declaring Asserts
The more your refer back to the same subjects, the more the core audience will enjoy their sense of familiarity, but at the same time, outside audiences will often find this to be quite monotonous. So, there is a certain amount of Potential required to achieve your goals of being Aggressive with your writing. Your ability to assert your perspective will depend on how Potent your perception actually is, and your success in being Aggressive will ultimately be the degree to which people will actually agree with your assertions. In fiction, you will need to be able to point out overlooked, but relevant, thematic elements. In non-fiction, you may need to expand the niche you are referring to in your work.
Defining Options
If you are seriously struggling at this point, or at any point earlier, you may benefit from returning to the first step, and getting some more experience from repeating the process of at least the first two or three steps for many new hypothetical projects. This won't just provide creative experience, but life-experience as well, by putting the context of many different life-concepts in their relevant places in your mind. This is the most overlooked and underrated aspect of creative capacity that nobody talks about. If your general context is adequate, the later stages should be much easier than they might be otherwise, and you'll get more out of them anyways. So at this point, your projects should be asserting, if not a preferred way of being, at least a set of important principals which improve ones life. There should be a certain Definitiveness to them, such that the Attention is brought back to the self, using your media as a window to their own state-of-being.
Loss of Control
Now, we are going to address Relatability. Once there is context that your subject is a reference to the human condition and the states we find our minds to be in, there is an immediate drop in Relatability, at least initially. This is because the reader has their own boundaries, and they may feel that by talking about them directly, you are crossing those boundaries. They also may be questioning your credibility to talk about such subjects. You need to reassure them that you are Relatable, and that you therefore do have the Authority to talk about such intense subjects with them. The more intense the subjects you discuss with your audience, the more depth that you are exploring together, and in-fact, the deeper your Relationship with them, even if you've never met. This requires you to refrain from making yourself intrinsically different just because you have insight into a particular subject, reminding the reader of their own desire to know more about it.
Being That Way
This is where you can reference the universal state of being. In doing so, you create a sort of contract with the audience, where they are acknowledging what it is you are addressing. This makes it so they must conform to the ideal, or accept the consequences of the rejection of your particular reference to a universal principal. Here, you rely on the Relationship you have built with them, in order to Discreetly tell them what it is that is best for them. If you do this successfully, you will be able to change someone's life for the better without ever even meeting them. This works in both fiction and non-fiction.
Boundary-Aware
Use your Relationship with the audience to bring Attention to the boundaries they have in their life which are preventing them from receiving the necessary Messages they need to receive in order for their lives to improve. This need not even be a specific call-out, just a bit of self-referential acknowledgment on your part of your role in their idea-of-self. So for example, in fiction, this might be something like the main protagonist's acknowledgment of their own stubbornness. Tangental, but this is why stubborn characters have always made fairly decent and Relatable main characters, because it enables a successful
self-referentialism. In non-fiction, this may be more difficult, but still possible. It typically requires the implementation of change, and personal Relationship in order to receive that Message. This may be even more impactful, however, as it affects the real-world directly,
not just the subconscious mind, which of course will still have important consequences.
Subtle Fullness
You may think that we are done, but, in-fact, there are more steps to create truly significant media. Of course, just having a profound and positive impact on people's lives is enough to be satisfied with the outcome of your actions. However, there is still more that can be done. By this point, you will have Discreetly positioned yourself to be a provider of advice and life-lessons. This will enable you to funnel new Topics of interest to your viewer. If you took my advice and went back to the first few steps to see what kinds of systems you could make to refer to different sections of life and the world around us, you will find it easy to be able to provide all kinds of new information, which is Topical to where the person finds themselves in terms of life-changes as a result of enhancing the dimension of life you constantly referred to. You should be able to refer to other dimensions quite easily. This can result in new works of fiction and non-fiction.
Considerations
Now is the phase to think about a few considerations. What does your Authority enable you to Centralize? Can you create an environment in which people will regard you as an Authority on a variety of subjects? Will you be able to Center your ability to provide the kinds the opportunities you have given a few people to provide those kinds of opportunities to many more? What will that take? What new kinds of opportunities can you offer the people who are a part of your community already? In non-fiction, the manifestations of this are quite obvious, so let's discuss the fiction side of things. You may find it easy to retarget your other audiences when you create a new piece of media. It also might it easy to target new audiences with your old media. You can also branch-out, using your creative and life-skills to create in new genres, on based on new themes, and so on.
Constructs
This brings us to the end, or at least almost the end. The last phase that isn't essential for creating something that the entire culture will consume. And, in-fact, you may not want to cater to everyone's needs. That is actually where the penultimate step to universal recognition comes in. This near-universal literacy comes from being able to use the Topic you discuss to create more Authority to take advantage of the Potency of the ideas that are already out in the world. Using universal-constructs as a backbone of your media is a time-tested strategy that all the best writers have used. It requires your Topic to be one which is refined and polished enough to give you the credibility to create a piece of media which acts as a discussion of a particular issue, and looks at the Topic from so many angles that your piece of writing contains the Potential to explore every aspect of it.
The Abstraction
The final step is one which will remain hypothetical in nature for most people. It requires one to be Aggressive enough to achieve something that has enough Potential to be able to be universal in its distribution, such that it can be referred to by anyone, at any point, and everyone will know what they are referring to. Fiction examples are those movies and books which everyone knows and can site, and some non-fiction examples would be the common scientific theories which have been universally accepted as containing truth. In a way, every project that reaches this state acts as a kind of filter that the entire culture is poured through, and therefore the impactfulness of such pieces of work is wide-stretching
and unmeasurable in nature. Looking at time in reverse, projects that reach this state are only those which are necessary for the existing culture to be the way it is.
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